Over the summer my brother, on a whim, busted out his Warmachine stuff and coaxed me into having some games with him. While I fared miserably against the might of Cygnar, it did prompt me into doing something with my Menites. I started playing Warmachine in 2013 but between Dark Elves and the End Times my fledgeling collection has received very little attention for quite a few years now.
After a few games in August I decided to re-paint my Warmachine stuff and add a few things to my collection as a side project to my Flesh-Eater Court. I have already spent some time experimenting with colour schemes and after failing to work out a gold and bone scheme I have settled on a dark look of silver, black and deep turquoise.
I have based the look on this plog I found on Privateer Press's Forums: DonQuijotes Menoth
While I won't be copying the scheme exactly I will admit that I am borrowing very heavily from it as inspiration. For a long time I have not really liked darker Menoth schemes but this one won me over and I have elected to batch paint my entire collection in this darker style.
I would like to qualify that I have not suddenly become a master of tiny freehand overnight. The text on her scroll was done using an exceptionally fine pen.
I appreciate these are not the best photos and the minis are incredibly WIP but I though that if I post them now I will find the motivation to try and finish them before Christmas. Check back in a few weeks time and we shall see if we can get some better picture of some finished minis on here.
Monday, 21 November 2016
Wednesday, 14 September 2016
The idea behind this base is that the malignant magics of the realm of death are seeping up and forcing their way through the earth as battle is joined on the plains of Shyish.
Below are some examples of this technique used on larger bases and also demonstrating how it can be done to make it appear as if spirits are rising out of the tortured earth.
Best of luck with your own basing in the Mortal Realms!
Wednesday, 31 August 2016
Season 6 Finale SPOILERS Ahead!
Continue at your own risk!
I really enjoyed Season 6 of Game of Thrones. While I had a few issues with one or two storylines and some of the pacing; I did find it a big improvement over season 5 (which I really didn't like i.e. Dorne) and there were lots of scenes and surprises I really enjoyed. The last two episodes in particular were excellent and it is a real shame that their director, Miguel Sapochnik, has been nabbed by Netflix and won't be directing any episodes in season 7.
While Battle of the Bastards was a true spectacle perhaps one of the best visual representations of the grim realities of medieval warfare I have ever seen, the final episode: The Winds of Winter was a plot and character driven rollercoaster I really enjoyed. The first fifteen minutes or so in Kings Landing for me was the standout part of the season.
The piece of music which accompanied Cersi's revenge on House Tyrell and the Faith, quite fittingly called 'The Light of the Seven', was brilliant if a little different to the usual score given the use of a piano and an organ. The entire segment very much felt like the ending of one of the Godfather films where we see Michael orchestrate revenge on all those who have slighted him at once.
The climax of course was the burning of the Sept of Baelor where wildfire caches that have remained hidden since the days of the Mad King are lit by Qyburn's little birds. I have already seen one or two spectacular pieces of art based around this scene and I felt inspired to do one myself which I have titled: 'The Mad Queen'.
Saturday, 13 August 2016
The other day I entered the Contest of Night that author Josh Reynolds was holding on his website with his recent Realmgate Wars book: 'Mortarch of Night' as the prize. As I have decided to finally take the plunge into Age of Sigmar I thought I might as well enter and get myself a free signed book.
I was therefore delighted to discover that Josh really liked my miniature and selected it as the winning entry for the contest! You can see the post announcing me as the winner here on his blog: Hunting Monsters. This was quite the nice surprise for me after a series of minor life mishaps and I really look forward to reading this book and delving deeper into the Age of Sigmar.
Enthused by this win I hope to finally get around to finishing writing my review of 'Bladestorm' by Gav Thorpe and finally get a few photos of Age of Sigmar miniatures onto the blog. For now though I will leave you with a picture of my winning entry with some small commentaries on the model.
Agengrim One-Eye of Gravenport - Bishop of the Church of Nagash's Hand
Tuesday, 26 July 2016
1. A liberal amount of Agrellan Earth is applied (Martian Ironearth works fine as well) to the base and is left to dry fully until cracked. The thicker you put this on the more dramatic the effect will be. If you want to speed up the process you can hold the base under a hair dryer for a minute or so but I prefer to let mine dry naturally.
2. Then the base is covered in Blue Horror and allowed to dry.
4-7. Once the Nihilakh Oxide is dry, dry-brush is succession: Blue Horror, Ulthuan Grey and Ceramite White, getting more gentle and sparing as you move from colour to colour. To provide a neat finish the rim of the base is then uniformly covered in a layer of Baharroth Blue.
8. Your base now resembled a snowy sheet of ice and on a base such as this where there aren't any ruins or extras to break up the whiteness I like to add some tufts of Mordheim Turf. Once this has been put on I will add blood effects (something that contrasts really well with the snow).
And with that the base is done. While this process can be a little time consuming as you wait for the Agrellan Earth and the Nihilakh Oxide to dry; it is really easy to do and creates an effective uniformed look across a collection.